The bar is below street level and the stairs down to it are painted black, and every Saturday at eleven the music starts to do that thing it does — not louder, exactly, but lower, settling into the room like a second floor laid over the first. June comes down the stairs and the bouncer, who knows her, doesn't ask for ID, just lifts her wrist gently and presses the stamp onto the soft inside above the pulse. The stamp is a small linden leaf. The bar is called the Linden. The leaves have been the same for years.

Inside, the light is the colour of weak whisky. There are red bulbs over the bar and amber ones over the booths and a single greenish strip behind the DJ that makes the bottles look like specimens. June takes the room in the way she always does: the regulars at the far booth, the new ones near the door pretending not to look around, the bartender Hugo who lifts two fingers in greeting without breaking conversation. She lifts two fingers back. She is not lonely. She is not looking for anyone in particular. She is here because Saturday is the night her week makes sense.

She orders a beer and stands at the corner of the bar where she can watch both the dance floor and the door. The dance floor is small — maybe twelve people, maybe fifteen — and the music tonight is slow and old, a track she remembers from a different bar in a different city, a song that goes around once and then twice and then doesn't quite end. A tall woman in a mesh shirt is dancing with someone shorter and broader, their foreheads close, hands at each other's hips, not moving much. Near them a person in a soft sleeveless tank is swaying alone with their eyes closed, an unbothered private smile on their face, and June feels a quick warm gladness at the sight of them, the way one is glad of a window left lit in a building one walks past at night.

"You came," someone says at her shoulder.

It is Rey, who June has known for two years and slept with once and is now glad to count as a friend, which is rarer and harder than the other thing. Rey kisses her on the cheek — dry, quick, the way people who have decided not to be lovers kiss — and orders something complicated that Hugo makes without comment.

"You always say you're not coming and you always come," Rey says.

"I always mean it when I say it."

"I know. That's what makes it nice."

They stand together at the corner of the bar and watch the room. Rey points out, with small movements of their chin, the people June should know about: someone new from out of town, someone back after a long absence, someone whose ex just walked in and who is being very, very careful not to look. June takes it all in. She loves this — the cartography of the room, the small civic awareness that everyone here keeps of everyone else. It is one of the things she loves most about this kind of place. People notice. People look out. The brushing past is not accidental.

The song changes. The new one is slower still, a bassline that feels like a hand on the back of the neck. The dance floor shifts. A few people leave it, a few more step on. June feels, without quite deciding to, her own weight transfer onto the balls of her feet.

"Go," Rey says, without looking at her.

"I haven't said anything."

"You're vibrating. Go."

She goes. She sets her beer on the shelf above the radiator where the regulars always set their drinks, and she steps down onto the dance floor, and the music takes her in the way it always does, which is to say not all at once. She closes her eyes for the first thirty seconds. She lets her shoulders go. She lets her hips find the count. When she opens her eyes again, the room has rearranged itself around her without her noticing, the way it always does — the small constellation of bodies has accepted a new star.

There is someone next to her she has not seen before. Tall, soft-jawed, in a white t-shirt that has been washed enough times to lie close to the skin. They are dancing with their eyes mostly down, the small private dance of someone who is not yet sure whether they belong here and is deciding, song by song, that they do. June recognises the feeling. She had it for a long time herself. She gives them a sliver of a smile when they look up, the kind of smile that says I see you, that's all, you don't have to do anything about it. They smile back, surprised, grateful, and look down again.

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